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A SAMUEL FRENCH, LTD. TITLE
Full-Length Play, Drama / 3w, 4m, 3girl(s), 1boy(s)
Paul Unwin
The Hodgsons had no idea what a poltergeist was when, in the summer of 1977, furniture and toys started moving of their own accord. An ordinary, working-class family who lived in a north London council house became the centre of one of the most famous poltergeist events in the world.
WRITER – A middle-class voice on a telephone. OLDER MARGARET – A voice on the telephone. PEGGY – Late forties. Working class, deep feeling, a lioness under a nervy shell. REY – Late forties. Working class. Never left home, now lives alone with his cat. JIMMY – Twelve. Very intense. Bad stutter.MARGARET – Seventeen. Bursting with pubescent energy. JANET – Sixteen. Gaunt, bags under her eyes, intense in a haunted girl kind of way. MAURICE – Mid-sixties. An upper-middle-class man. He is tender and warm. He wears a moustache, bow ties, etc. THE MANTHE GIRLBETTY – Mid-fifties, Maurice’s wife. Dignified in her grief.
The play can be performed by eight actors with WRITER/MAN, JANET/GIRL and BETTY/OLDER MARGARET doubling.
The play can be performed by eight actors with WRITER/MAN, JANET/GIRL and BETTY/OLDER MARGARET doubling. No interval.
“Gripping” — City A.M.
“This lo-fi horror builds in creepiness.” — The Guardian
Theatre credits include: Theory For The Attention Of Mr Einstein (Old Red Lion and Frankfurt); Doolally Days (Leicester Haymarket, Tour, Hampstead New End); This Much Is True – The Killing Of Jean Charles De Menezes, with Sarah Beck (Theatre503); At The Point ...
by Don Taylor
Don Taylor
by Stephen Mallatratt, Su...
Stephen Mallatratt, Susan Hill